Always looking to make interaction for myself and students better when I need something on the go or in a pinch. I’m learning it, so I’ll have to think of some workarounds. Ie… if they could have all their styles in one central app that there’s a central library of songs to pick from. The sounds are great, but the functionality of iReal pro is far superior. I just discovered Session Band last night… and just dropped way too much money on almost all of them. You can also sync multiple styles together plus they have ibass which is very cool. I’ve also discovered the lumbeats drum apps which sound great and you can get them to sound more organic by controlling velocity, swing, improv, fills… to make it sound more interactive and realistic. IReal, you can go as slow or fast as you like and it sounds the same. Drumgenius only has a +/- window of 15-20bpm. Trouble is, the price you pay for using sample based performances you lose in functionality. I emailed them years ago about using something like Drumgenius which are much better sounding drum performances. That said, I don’t know why they won’t/can’t update the sounds. Something like what your suggesting is a good workaround. MIDI 2.Click to expand.IReal pro is such a great app functionally… but as said earlier, the sounds and performances leave much to be desired… although, they have added more styles over the years. Sequencing learning modules: nonlinear learning pathways Training à la “Building Blocks” (Audible Genius) LinnStrument-like controller with chromatic rows in fourths “Pianoroll” and TUBS as alternatives to staff notation Tutorial mode (as “crutch”) to Open World and Free Jazz with automatic shifting of chords to fit what’s playedĬybersecurity on access, confidentiality, integrityįleeting moment, disappearing content, modular rig, no posterity Non-Jazz approaches, including xenharmonic improvising (EDO or not)Ĭlassifying sounds/instruments, functionally (from drums/rhythm and chords/pads/keys and bass and lead to…) (While listening to Figma interview on Decoder)įrom top notes to full melody to ornementation, à la Irish traditional musicĭiverse répertoire including “World Music” Identifying ii-V-I and other chord patternsįull scale database with Forte numbers and chord/scale compatibilityĭesign insight: from paper prototype to fully-produced track with lots of improv in the middle Moving from diatonic to ii-V-I progressions Visualization track sending to separate monitor, allowing for recording Metadata per “song”, track, with versioning and Linked Open Data Identifying riffs, motifs, patterns, quotes… with repetition and transpositionĮxercise/drill with numbered patterns (in fourths, minor thirds, chromatically, in whole steps… modulated across scales)ĭrum patterns with fills, suggestions, responses, following established pattern (à la Logic Pro), sidechaining Generating chord progressions, with voice leadingĭynamic scale quantizer based on scale/chord compatibilityĭiverse chord voicing, including some based on basic acousticsĮxpressive instruments and voice-like expression Semi-generative basslines (from elaborate arpeggiator to continuous learning) Identify chord tones, passing tones, off-scale with both colour and shapeĬhord/scale visibility along the way: making available, taking away the “crutch” at the appropriate time Some implementation details, along the way (to be classified in order of feasability later)… Necessary AI hype: like musicians playing with you, responding to what you play, proposing new ideas, adapting as you go along, developing a bond, inspiring you, occasionally coaching you, understanding what you mean Norman’s Law of EdTech convergence: any sufficiently elaborate tool will take on properties of a DAW Kludgy workaround (Design Thinking’s skateboard): Sync through MIDI? Ultimate Jazz Improv solution: from training to performance and recording, even analysis
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